The 3rd International CompetitionEssay Preview: The 3rd International CompetitionReport this essayThe 3rd International Competition, one of the main events at the World Ceramic Biennale, aims not only to discover newly emerging artists with potential power but also to foster and support their creativity. Prestigious ceramic specialists from every continent have screened the entries of ceramic artists from more than 60 countries. The top-notch awarding prize is one of the outstanding points that have attracted world ceramists attention. This years theme was Ceramics: The Vehicle of Culture.

2,019 of Ceramic artists from 69 countries submitted 4,206 entries in the first International Competition in 2001, and 1,481 artists submitted 2,454 entries in the second International Competition in 2003. Recently, most of the artists who have participated in previous International Competitions organized by WOCEF have increasingly exhibited their works in the world, proving that this International Competition is becoming a springboard to recognition.

The final selection of the Ð3rd World Ceramic Biennale 2005 Korea International Competition was held from February 1st through 3th for 3 days. The Grand Prize winner is Mr. Philippe BARDE (Switzerland), his work Human Bowl Faces from ceramics for use will receive a 60 million won prize. The Gold Prize (ceramics for use) went to Mr. Masanobu IDO (Japan)s Sole and Ms. Kwai Ying (Irene) LAUs (China) Still Life (ceramics as expression) were selected. Further awards included 4 works for Silver Prize, 6 works for Bronze Prize, 8 works for Special Prize, and 5 works for the Jurors Prize, totalling 26 works. All the 186 selected works including 26 works for the prize will be exhibited in the 3rd World Ceramic Biennale in Icheon, Korea from 23rd April to 19th June 2005.

The Competition

Mr. Pee-wee Hermann of the European Ceramic Industry Research Laboratory with other colleagues.

After a 12-month competition in which 5 works for Silver were displayed, a prize of 400 million won was awarded for “the best of the competition”.

Mr. Pee-wee Hermann and his colleagues were then invited to travel to the North Pole where they presented their work, with an exhibition in June 2005 for the first time in seven years.[11] This was done with the participation of the French Ceramic Association (CARE) and on behalf of the American Association of Ceramic Manufacturing Research (AACRA). Mr. Pee-wee Hermann’s colleague was invited to the third World International Competition, which was held in 2010. In the main a bronze of 75 million won was won for a special piece that depicts the first ever ceramic display in space.

Risk assessments

Mr Pee-wee Hermann’s presentation showed, “The most efficient methods of improving quality of life, by improving the physical space as well as by increasing the possibility for free and transparent viewing of materials, are: increased awareness, better decision-making, better regulation and better protection of the rights of minorities.”[12] One of the researchers, Ms. Wong Jin, admitted that at the time of the presentation she was a free spirit and that the use of other artists’ works is “so bad, so degrading to the environment”.[13]

Situational information

Ms. Wong Jin was a co-representation of American and European Ceramic Industry Research Laboratory, the German Ceramic Association, Korea International Ceramic Competition Council, the American Ceramic Industry Research Foundation (ACIF) and the American Ceramic Manufacturers Association (ACMA).

The European Ceramic Association – National Policy Forum (ECPA)

In 2008, during its annual meeting, the EEA approved the development of the European Ceramic Industry Representative (ER) Program. The EMPA – National Policy Forum (ECPA) (European Union), established in 1988 with funding from the EU Investment Bank and the European Commission (ECB), is the European Ceramic Association’s official legislative body in the Member States, acting on policy issues. In 2009, the EEA passed its fourth report on environmental protection and trade. The EFPA’s principal objective is to bring new technologies and trade policies to public and policy awareness through activities that are designed to encourage cooperation and develop consensus and promote cooperation. The EEA Commission – European Union Framework for the Promotion of Cooperation in Europe – in 2012 adopted a framework of initiatives on the promotion of cooperation on issues which help to reduce inequalities and improve public confidence in the legal framework. The EFPA’s focus remains on the development and implementation of the EFPA’s Framework for the Protection of

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World Ceramic Biennale And 3Rd International Competition. (August 12, 2021). Retrieved from https://www.freeessays.education/world-ceramic-biennale-and-3rd-international-competition-essay/