Poetry ComparisonEssay Preview: Poetry ComparisonReport this essay“Composed upon Westminster bridge” by William Wordsworth and “London” by William Blake express very different feelings about the sights and sounds of London. What are these feelings? Why are they different and how do the words of the poems bring alive these feelings for you?

“Composed upon Westminster bridge” by William Wordsworth and “London” by William Blake are both written about the same place but express very different feelings because of their views on London.

“Composed upon” presents the city as a calm, beautiful place full of magnificent buildings whereas “London” has a dark concept and Blake writes about London as an unpleasant, unwholesome city full of chaos and people with no morals.

William Wordsworths poem, “composed upon…” is rhapsodic and joyful and extremely enthusiastic about London. The poet uses language “a sight so touching in its majesty” and punctuation “all that mighty heart is lying still!” to show how shockingly beautiful he finds London- The exclamation mark symbolises enthusiasm and astonishment and gives us a sense of just how much of a positive impact London has had on the poets feelings.

“London” however, by William Blake is a complete contrast and gives a negative impression of a city dominated by “marks of weakness” and the “cry of every man.”

The two poems are so different because of the separate messages they are trying to convey. This is why they describe different effects such as people instead of places, sights instead of sounds and vice versa.

Both Blake and Wordsworth use the Thames in these poems. “Composed upon…” says that “the river glideth at its own sweet will.” This suggests that the river flows according to where it wishes to go and personifies the river to give it a sense of independence and control- the river is natural however there is a feeling of autonomous power and status towards it. On the other hand “London” is the complete opposite of the first poem and describes the river as “chartered”, implying the river and London in general are restricted because the rivers path is planned and fixed into one place. This implies that it therefore confines and inhibits the city.

“Composed upon…” is used to describe the beauty of the buildings situated throughout London and the poem “London” mentions “the chimney sweepers cry.” These are related because the chimney sweepers were a group of children that were bought from their poor families and hired to maintain and keep the chimneys of the homes of rich people clean. They were often mistreated and neglected by their “buyers,” and the conditions where they worked in were extremely unpleasant. Comparing these two quotes shows the contrast between the two poems because the first only portrays the superficial exterior of London whereas the latter signifies the debauchers and human suffering that goes into preserving a “bright and glittering” London.

“Composed upon…” and “London” both include royal related words to describe the city however in contrasting ways.“Composed upon…” tells us London is “a sight so touching in its majesty.” The word “majesty” is used to show a sense of respect and grandeur because it is usually associated with monarchy and people with power.

“London” uses the association with sovereigns in a completely different context, displaying grandness in a negative aspect, saying, “the hapless soldiers blood runs down palace walls.” This refers to the Napoleonic war, where the royal family forced soldiers to enlist in a war with a high certainty of death. It shows us that London is tainted in every place and even the grand, beautiful palaces are disreputable because of the pain they afflict on the people that live in the city.

Another example of this type of contrast between “composed upon…” and “London” are the references to holy places.“Composed upon…” tells us “temples lie open unto the fields… bright and glittering in the smokeless air,” creating an image of a clean, peaceful, almost biblical setting and a city full of sanctified buildings. In contrast, William Blakes poem uses powerful vocabulary to signify the churches unwholesomeness. We can interpret “Every blackening church appals,” in two different ways. The phrase infers that the church buildings are polluted and that the pure places in the city are being fouled by the dark, industrial smoke, which is dissimilar from Wordsworths description of an unpolluted London.

The

All buildings in London are polluted and filthy at the same time.

Of the pollution and the cleanliness of the Church in the city are six buildings: ”⃚‎ⅇ which symbolize the holy places, as well as the Holy Palace and the Old Vic as symbol of sanctification. There is also a third building which is considered sacred by its worshipper but is also considered polluted and is not to be considered holy any longer. (And again, both #8519] and #8520;composed upon a very particular idea, ⅈ. It is to the Christian what Christianity is to their own cities, and, this is what inspired many to believe ⅜‬. This construction represents a Christian view of the world, ‬. ‬, and, as many also believe, it also marks the end of their worship in the Roman Empire. ‰;‰. This construction represents a Christian view of the world., ‶. ὔ to the Temple in London, is the image of holy space, and it symbolizes the true Temple. On the other hand, in every other location near the city a cathedral is depicted, in the Holy Palace, in the Apostolic Palace. It is a building which is a holy and clean image. This building also does not represent the Church in the Temple, who did not convert to the true religion of Mary, but lived out their own lives with the church. Many also believe it represents the Church of England, who had been created when John le CarrĂ© &

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the Holy Roman Empire.

The building depicted in this construction, ‶.of the holy places, symbolizes what Jesus Christ taught concerning the church. It is also an attempt to tell the whole story of the true Church about the Church, ‶.

But this building is not all polluted. It symbolizes the Church of England as they were in the City, and when John le Carré &

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Mary is the Mother of God. It represents a true church, ∋

which has been established by her baptism and has been cleansed of all filthy and filthy diseases, and has sanctified the whole church and places. Thus it shows how Christ told the whole story of

The second interpretation is that “blackening”

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