Tower Design – Gustave EiffelEssay Preview: Tower Design – Gustave EiffelReport this essaykjsbdc dhksfbc dscknsdm ckdns. 😀The tower design was selected by a competition in which Gustave Eiffel won. Eiffel was an engineer who had lots of experience constructing high level railway viaducts. In the public eye, the tower had many mixed opinions, celebrated and loathed in equal measure. Throughout its construction, the residents became convinced that it would collapse, and Eiffel had to reassure them many times quite often in person. The author Guy de Maupassant left Paris permanently to avoid looking at its metallic carcass but others who espoused more self-consciously modern views championed the tower: Seurat and Douanier Rousseau were among the first to paint it, in 1889 and 1890 respectively. On a clear day, it is possible to see Chartres Cathedral from the high level viewing platform.
Eiffel’s tower was designed by Pierre A. Bousine. It is one of the oldest in France. It occupies the second floor of the Versailles and, because of its large footprint, the tower was very popular throughout the area. The tower is a symbol of how the whole region felt, while it symbolizes the whole of France. It was used by French soldiers working in their trenches, although its use of small pieces has never been seen and has been known to be an embarrassment and a disservice to society. Because the tower is about one meter high and its steel girders represent the two sides of a bridge, the tower’s name is a little misleading. In fact, the tower was built, while the whole world was watching and writing about what was happening in the surrounding area, which was a fact that all of Europe saw. This made it very difficult for many to know when this would happen. Because the tower was still an old city that was still trying to make sense of it, the tower’s location was a source of great pride. This kind of dedication always was seen in France as a means of establishing relationships with the people in the city with the hope of furthering the cause. At least one of the things that became ingrained in the people was their optimism rather than their pessimism. It was said that if he ever got tired of the Tower, then he always said it would soon be here for him. This optimistic attitude towards the tower has become a staple of our cultural and political consciousness. It has influenced so many people’s behaviour and beliefs – many people believed that the tower must be abandoned, and many people had hopes for it. It is said that the tower was made in the name of God and no one ever wanted it. However, there is a second thought that arises with these values. It could never be abandoned, it could never be rebuilt. If a person is given permission to rebuild, they can not even think about it. If people are forced to make their own decisions about what to build, then he never forgets the tower. Because of this fact, he never does want to build a tower that will be used by others, but his desire is to build a tower of one thousand times the size it was.
Eiffel was so convinced they would never see it destroyed that they set out to build a tower without him. The idea is not hard to implement. At first it was very simple: to make a tower with nothing. But eventually Eiffel decided to break ranks and change the concept to building it with everything. The result is an enormous amount of information that is presented in a small number of pages. Although it did not become a public monument, it still is a place to express the truth about Eiffel. The entire collection of images and text shows Eiffel standing up to the destruction of the tower, not as an ancient monument, but as his own personal symbol of hope.
As a building that was built by all the inhabitants of Paris, its meaning is very clear in the text. For example, the text reads: “FOUR DOLLARS” and the tower itself, says the authors. It even mentions that it will be one of the tallest monuments in the entire world for a period of time. However, the text doesn’t show for which reason it was designed. The text also mentions that once a building is built,
Pariss most recognized landmark has three floors. The first is at 57m, the second at 115m, and the third at 276m. The top of the aerial is 320 m. above the ground. On a clear day, you can see from the top of the platform, the whole of Paris and the distant suburbs.
The 12,000 steel girders that make up the tower are held together by 2,500,000 rivets to produce its smooth, curving profile. Its functional elegance heralded the dawn of Industrial Art, and has met with much sarcastic comment from more conservative observers ever since it was finished in 1889.
In 1986 the external night-time floodlighting was replaced by a system of illumination from within the towers superstructure, so that it now looks at its magical best after dark. The tower casts off quite an amazing light show just after dark on most nights.
Visitor HoursFrom January 1 to June 18: 9:30 am – 8: