Abeautiful Mind
Abeautiful Mind
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November 25 at 9:25am
.32 Qualities Of Better Film
I am thankful for anytime I find more than one of these in the same film. This list originally ran on HammerToNail, a site I helped found, and one that continues to champion those movies that offer up these elements. First the list, and then the description. I would love to hear your comments, too.
1. Ambition
2. Originality
3. Innovation
4. Integrity To The Concept
5. Discipline
6. Truthfulness
7. Joy Of Doing
8. Singularity
9. Communication Of Themes
10. Clarity of Intent
11. Synthesis of Style & Themes
12. Application Of Techniques
13. Reality Of Actors
14. Pleasure
15. A Good Story Well Told
16. Accomplishment Within The Means
17. Awareness & Appreciation Of The World
18. Acknowledgement Of The Limits Of Feature Film Form
19. Consideration Of Effects Of Representation
20. Recognition Of Film History
21. Subversive To The Status Quo
22. Provocation Of The Audience
23. Respect For The Audience
24. Confidence In The Filmmaking
25. Restraint
26. Awareness Or Avoidance Of Pretension
27. Access To The Subconscious
28. Differentiation Among Characters & Environments
29. Leaving Some Things Unexplained
30. Emotional Use Of Technique
31. Depth Of Character / Depth of Characters
32. Impassioned Point Of View
1. AMBITION:
In terms of the filmmakers who create them, some films are challenges; some are proofs. In the Challenges, the filmmaker is hoping to discover things, hoping to learn things in the process. In a Proof Film, the filmmaker is showing the audience what she or he knows. With a Challenge, the audience is aligned with the movie, trying to discern whether the filmmaker will meet the challenge; whereas with a Proof, the audience is dictated to, watching something unfold according to a recognizable formula. A Challenge is involving, whereas a Proof is a passive experience for the audience. Ambition is to go to places you have never gone before with the hope that you will discover something positive in the process – a challenge and not a proof.
There are so many films that have already been made, and made again, and then made yet again. Many films of the past had the opportunity to get there first – to be the first to portray a particular type of character, explore a genre or a style, to tell a story in a particular way. The ambitious filmmaker will never be content to walk in others ‘first steps. It is not enough to simply provide an update. Repeats are just an attempt to provide more products for current tastes, driven by profit, not ambition.
There is always more that can be done — more nuance provided, a different perspective offered. With ambition, one