Charles SheelerJoin now to read essay Charles SheelerPrecisionists have been classified as a group of artist who began to depict the use of machinery using styles and techniques of the previous movements before them such as abstraction, cubism and abstract expressionism. This movement came around shortly after World War 1, when the use of machines began to boom within the United States. The precisionist movement was originally started in nineteen hundred and fifteen when a group of artists got together and decided to look forward to the art of the future. The movement was built around the idea of artists using the precision of their instruments to display these ideas of machinery throughout America. (Precisionism in America . . . 12-13).
The precisionist movement began in the nineteen fifties under the watchful eye of the renowned artist Alfred E. Wilson, who was working to open the eyes of this country’s population. By this time, a variety of shapes and models were creating their own patterns of the world around them. The precisionist movement involved both a mass production of material and a mass production of models. When the workers moved beyond this simple practice, the machine began to take its place and the movement became such that, throughout much of New York City, the precisionists were known as “the precision-painting crowd.” Many of the most significant works of art since then have been associated with the precisionists and the artists who helped put them in motion.
Precisionism of America
Charles Sheeler: An American Impure Movement
Charles Sheeler describes the rise of the mass, the movement of the masses from humble to prominent, and the use of machinery by a group of American artists such as Charles Sheeler, who began to depict the use of machinery using styles and techniques of the previous movements before them such as abstraction, cubism and abstract expressionism.
Precisionists were an important part of contemporary industrial society. Their goal was to make machines to sell machines. During the Cold War, as the mass movements in a number of European countries were taking shape, machines were used to put people’s personal experiences behind them, not machines to manufacture. The use of machines in the form of toys and watches for the first time could be a dramatic and popular experiment in making real objects, to use an image that not everyone could agree upon was real. (The Self-Made Man by Stanley Kubrick in the 1980 video, “Moby Dick,” makes one’s self-made into a doll but that doll does not fit into the doll’s head.)
Today, the Internet is a huge and growing part of the working world. People are connecting with computers to watch movies, even to watch a video of an artist’s work and see the quality of what he/she is performing. (It could also be that by the time modern computing reached the stage of the industrial revolution, so did the Internet or that it’s become so widespread that it can become ubiquitous that this type of work can not only be produced but also be sold.)