Puff Daddy
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SEAN JOHN COMBS, the rap and clothing impresario still best known as Puff Daddy, a sobriquet he has now abandoned, stood before a conference table in his companys Midtown Manhattan headquarters recently, addressing his designers.

Dressed in a black baseball cap, a black T-shirt and black cut-off denim shorts – his only flash a large square diamond stud in each earlobe – he projected a decidedly serious mien. The designers listened intently. When he paused, as he did several times, there were no questions. They knew to wait until he solicited their advice.

“There will be only three Sean John T-shirts in the coming collection,” he said. A few designers let out wispy sighs at such a seemingly self-destructive edict; after all, clothes with the Sean John name, initials or crest make up a big slice of his companys sales. “Im putting you on rations,” he said, laughing. “From now on, I want people to read the name without seeing the name. You get me?”

Messing with the name is no small gamble, nor is it the only one he is taking. Sean John is already a well-known brand – at least in households with teenagers, who spend about $42 billion a year to look good.

Mr. Combss company, Sean John, has about $400 million of that business, most of it from urban styles like baggy, crotch-at-the knee trousers, conspicuously branded T-shirts and hooded sweatshirts, or “hoodies.” But Mr. Combs, who sometimes goes by the rapper name P. Diddy but is known to associates as Puffy, is looking to expand well beyond the urban niche.

A stack of other rap and rhythm-and-blues celebrities from Snoop Dogg to Beyoncй have decided they have the style to create clothes, but Mr. Combs is the one who analysts say has the best chance of making the transition to the mainstream.

That could be particularly lucrative for Mr. Combs, who, unlike most of his competitors, has maintained control of his company. (By contrast, Russell Simmons, another rap impresario, sold his Phat Fashions to Kellwood, a giant clothing producer, for $140 million last year.)

“Sean John felt he has the heft to go it alone,” said Eric M. Beder, an analyst at Brean Murray & Company, a New York investment bank.
Going it alone, though, will mean having to tackle some serious problems, starting with two years of more or less flat sales and a net loss last year. That is compounded by signs that the urbanwear trend is past its peak, and by basic business problems like disorganized distribution. Then there are the distractions inherent in being part of an informal miniconglomerate that has at times included businesses as diverse as music publishing and advertising and restaurants.

Mr. Combs has started to address each of these issues. He began by parting ways with a longtime friend and the executive vice president of Sean John, Jeffrey Tweedy, and replacing him with Robert J. Wichser, the former chief executive of the Joseph Abboud Apparel Corporation. Mr. Combs is also moving to expand beyond urbanwear – first into a line of womens clothes, and next into a host of licensed products, including leather sneakers, belts and wheel rims.

The success of this strategy is far from assured, but Mr. Beder, along with other analysts, bankers and even competitors, says Mr. Combs stands a good chance, in part because he is so personally involved. He directs his own designers, and Sean John makes 70 percent of its own clothes; most celebrity-branded gear is made under license by other companies. “If he can get the womens working, he can become a true lifestyle brand,” Mr. Beder said. “Sean John can become more than just Puff Daddys company.”

Before he hired Mr. Wichser in May, Mr. Combs held the title of chief executive. Mr. Wichser had said he wouldnt sign on to run Sean John without that title – and the authority to match. Mr. Combs has also hired Jon Cropper, a former executive of Quincy Jones Productions, as chief marketing officer of Bad Boy Worldwide Entertainment, his recording company. The goal, both men say, is to bring “synergy” to an empire that Mr. Combs says spans “clothing, music and lifestyle.”

Mr. Combs has also vowed to pay more attention to the Sean John clothing and accessory lines, a pledge he honored at the recent meeting with his designers. “When we are doing the Jack Johnson Collection, I want people to think champion. ” he told them, announcing the coming seasons theme, named for a great and tragic black boxer of the early 1900s. “I dont want you to bring me clothes with the name Jack Johnson on them. We got to get away from that. And I dont want some kind of retro stuff, like clothes from 1906. I want contemporary. If somebodys wearing one of my track suits, I want it to say champion from two blocks away.”

He is also branching into footwear: three styles of leather-and-suede Sean John shoes, in brown and black, will hit stores soon. (In the Sean John store, on Fifth Avenue at 40th Street in Midtown, a salesman recently described the shoes, which resemble sneakers or lightweight hiking boots, as “something Louis Vuitton would do.”)

Sean Johns sales have started to grow again, Mr. Wichser said, after a two-year plateau. But the key to the companys long-term success, many agree, will be the womens clothing line, called “Sean by Sean Combs,” coming this fall. It is aimed at the contemporary department-store category (read: young and midpriced), but it has some particularly expensive items – like coyote-trimmed leather jackets for $6,000. The line has already received some good reviews, and orders, from Bergdorf Goodman, Saks Fifth Avenue and other stores.

Robert Burke, the fashion director at Bergdorf Goodman, says Sean Johns womens line is more impressive than its mens wear. “We at Bergdorf have not been – and are not – interested in the mens collection,” he said. “The womens has more fashion, more sophistication, and a sexier edge to it.”

Mr. Combs says he knows the womens line must be more than just “better” if he is to make the leap from the category called urban – a name he resents, by the way, contending that is just another way of saying “black” – to something fresh and great.

MR. COMBS, a Grammy-winning rapper, created his first major business, Bad Boy Worldwide Entertainment, in 1993. His clothing company came along six years later. It produced clothes that mimicked

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