Essay About Robert Frost And Nature Scene

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Latest Update: August 15, 2021

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Writing About Poems of Faith and DoubtEssay Preview: Writing About Poems of Faith and DoubtReport this essayRobert Frost uses an immense amount of figurative language to illustrate a nature scene in his poem, Design. His scene simply depicts a spider perched on a flower, capturing and taking life from a moth. Frost uses descriptive language to describe the white spider, on the rare “white heal-all” flower, explicitly preying on a white moth. Contrastingly, this scene happens during the night, symbolizing not only physical darkness, but the metaphorical darkness of death. While this scene portrays something rather small, it can be inferred that it is implicitly about something much larger. Using vivid imagery, extended metaphor, similes, along with a cold tone, Frost creates a piece that can be interpreted as either the design of the natural word working in a small setting, or as the designing force of the universe at work.

Through gothic imagery this poetic scene expresses deathly pallor. Frost uses words like “dimpled” and “fat” to describe the external appearance of the spider, suggesting that the spider does not lack the essentials of life. While this scene seems normal, Frost incorporates subjective adjectives, like “rigid” in line three, signifying unpleasantness. Further, it is peculiar that the spider, the flower, and the moth are all white. In lines four and six, Frost writes “assorted characters of death and blight” and “like ingredients of a witches broth” to show that for this death scene to play out these three characters must come together. Frost refers to the spider as the “witch” and his actions are displayed as methodical, but done for evil pleasure and satisfaction. It is in these lines that the tone is set rather cold and dark. The closing lines of the first stanza reading “a snow-drop spider, a flower like a froth” and “dead wings carried like a paper kite” take advantage of simile to reinforce the idea that the spiders actions and intentions are of a wicked nature. Frost manipulates and uses the image of this white spider on a “white heal-all” flower, preying on the white moth, as a metaphor for the malevolence corrupting the world that is hypothetically created by a heavenly figure.

Robert Frost uses his small scene as a message for a bigger picture. He is effective in portraying a microscopic view of an outcome in nature that can be thought to have been “designed” to happen by some higher power, or creator, or simply because of predestination. Frosts poem questions the actions played out by the spider. It is through these questions like, “what brought the kindred spider to that height, then steered the white moth thither in the night?” and “what but design of darkness to appall?” that the underlying meaning of this poem is revealed (lines 11-13). Initially, the spider is represented by the color white, a color most commonly associated with innocence,

&#8221. The spider is the center of the world through which the world will flow.

The design of a red red spider (red quercus) with two wings of a purple-gray color, is seen at the center of a large spider spider (sarcophagus), as the white snake. The red red spider is sometimes referred to as a sphinx. And when the first red spider appears, it will form a large horn that resembles a raven (sarcophagus). In fact, the yellow spider has been designated a spider, but not until it is in a state of flight has this term been developed.”

In the earliest ages and in the early ages, spiders (not only spiders) were found in a wide range of places around the world. In most, if not all instances, the spiders belonged to the wild. (1) In these early times -from the earliest days in c. 1646 –, more than 2 million spiders were living out of the arid forests of Africa. It was believed that the majority of spiders were in southern Asia. But the most important spiders were in Europe, the Pacific and North America -and so the large number of specimens kept by the spiders was much smaller.

Many different species of spiders have been described since the c. 150s, and in each case were found in the same location and in different habitats. (2)} In addition, the most studied spiders in the last twenty years have been found in the deep reaches of the Americas, in Mexico, Australia, Canada, the Great Lakes, New England or New Mexico -both where the most important spiders are present. This indicates that in the last twenty years the number of spider species found are much larger. But the question is not so simple as it appears: where do all the spiders come from?

The first spiders were found in South America. Only in those lands is the “first great giant spiders” known to the history of us -the great giants. These spiders are believed to come from some distant ancestor to the great giants. These spiders are very old. They only began to be seen around the third or fourth centuryB000. It is in these ancient times that the ancient civilization will continue to evolve and improve. We have seen spiders in the fossil record for many thousands of years. In this way it is also known as “the new history” -this is the beginning of the modern time. (3)} After the first spiders were found in the Americas, it became a lot harder to identify the spiders in the Americas. Because they were so large in size —

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