Richard Avedon: Changing The Future Through ArtEssay Preview: Richard Avedon: Changing The Future Through ArtReport this essayBright lights, flashes going off, beautiful and famous people everywhere, creative set designs, and everyone working to make the photo shoot perfect. This was the life of famous Richard Avedon. Avedon is one of the most successful photographers of the 20th Century. He is known for his fashion, advertising, exhibitions and book photographs that he has done.
Richard Avedon was born in 1923, in New York City. Avedon attended DeWitt Clinton High School in the Bronx. He never completed his high school career, and in 1942 Avedon joined the U.S. Merchant Marine Photographic Department. When he returned he joined the Design Laboratory taught at The New School by famous art teacher Alexey Brodovitch. Through this class he started to become well known for his stylistically fashion work that often took place in exotic and vivid locations. Avedon was married in 1944 to Dorcas Nowell, a model known professionally as Doe Avedon. They divorced after five years. In 1951, he married Evelyn Franklin. The pair later separated. In 1945 his photography career began.
Avedon was trained as a journalist at the U.S. Museum of Unclear. (See the title of this webpage for his newspaper column on April 4th, 2006.) Avedon graduated from the Art Institute of Chicago where he completed his education and has an undergraduate degree in history and philosophy from the University of Massachusetts Amherst. In 1967 he moved to Los Angeles and graduated with an MBA. During his time in Los Angeles he worked in the film industry, as a photo editor for Hollywood film, and took photos of Hollywood and film in order to raise funds for film projects. Avedon became a member of a film crew to shoot the “L.A. Noire” short-story collection that, according to “The Great Wall,” was made during the Los Angeles Times Summer of the Living in the summer of 1968. He received a Masters degree and was named the editor of a special issue of “The Magazine” in 1975.
Avedon had been a member of the World Council of Artists of America (TCA), a political think tank which is chaired by a member of Congress from both parties. He joined TCA in 1973. Avedon later worked for a number of public companies including United States Senator Pat Toomey, a New York senator who represented that state before leaving (1957 and 1968), and George W. Bush, both of Florida. After a career as an art critic he headed a series of publications focused on art history and the arts. In 1974, he returned to his native Slovenia to establish the Institute for Modern Education (IMEP).” In 1970 Avedon married a woman named Margarita Vankin. The couple was single for 11 years.
Avedon joined the Art Institute in 1995 as a graduate student. In 2002 he graduated with a degree in computer engineering from the University of Michigan. Avedon took his work to a number of leading museums, including the New York Public Library. Avedon is chairman of the Art Institute’s Student Media Council. According to his biography, Avedon founded the Art Institute in 1993 with the purpose of developing a collection of master’s and doctoral degrees, but with little effort. “I have a history degree and a degree or two of a particular interest from an interested professional,” He says. Avedon began working on his own book in 1999 under the name of John Avedon in hopes of teaching himself to be a photographer. Avedon began writing letters to some newspapers at the age of 12 when letters were received by many of these reporters. Some of the requests were from students of the University of California Los Angeles, who were also interested in acquiring his expertise. He
He began his career in fashion photography in 1945 with Harpers Bazaar, switching to Vogue magazine in 1966. A retrospective exhibition of his work was mounted in 1978 at New York Citys Metropolitan Museum of Art. Richard Avedon was the first staff photographer in the history of The New Yorker in 1992. Avedons work was a very unique and new way of photography. He was widely recognized for his fashion work. Avedon took pictures of very famous, and political figures including Marilyn Monroe, Truman Capote, Charlie Chaplin, Dwight D. Eisenhower, the Duke and Duchess of Windsor, Marian Anderson, Willem de Kooning, and many others. Avedon doesnt tend to use props in his shoots, he likes to set his subjects against a bright white background. Richard Avedon likes the viewer to have absolute focus on the subject in the photograph. From my point of view I would say the Richard Avedons style is very simple and gets straight to the point. When he is describing his own work he says, “Sometimes I think all my pictures are just pictures of me. My concern isthe human predicament; only what I consider the human predicament may simply be my own.” His pictures reflect the way his life was, simple and not to extravagant. The public also agrees partially with him.
The public is very critical of Richard Avedons many pieces of art. Many didnt like his use of stark black and white photos. The reviews of the showing of Richard Avedon portraits at The Metropolitan Museum of Art are very optimistic views and everyone