Organising Tour for Signed Act
Essay title: Organising Tour for Signed Act
In order to organise a tour for a signed act, it takes the efforts of management, the record company, agent and promoter. Although each have their individual responsibilities and ways of working it is required of them to work together as a team in order to make a tour possible, or even for just one gig. They each contribute an essential part of the process and organisational strategies and without co-operation of each unit organising a tour would be practically impossible. Disagreements could cause much of an inconvenience and the music industry being so large with so many people disagreements are not uncommon as everyone has their own opinion. Compromise is perhaps the only key, therefore working with open minded people makes it much easier. Often the job descriptions of each unit intersect and are hard to define, which can sometimes be helpful as different people can do the same job from different angles, however it can also get confusing and cause problems often being the result of communicational breakdowns. In this essay we shall study what each unit does and how they work together looking at the advantages and disadvantages of certain aspects and perhaps discuss ways in which the system could be improved.
Management
The management company works with the artist more so than anyone else. They play a dominant role in their interaction with people in the music industry (agents, promoters, record labels). Their own interaction with the artist is direct and they often have a friendly
relationship with the artist. I spoke to an unsigned rock band with a management contract to find out exactly what they do for them. Their management company were an established music company who create music for adverts and therefore have knowledge and contacts within the industry. They provide the band with financial backing for equipment, recording sessions and any other finances to support the band. They also act as an agent for the band and book gigs by contacting promoters and promoters also often contact them. Their relationship with the band is very friendly and are on terms were they both work for each other.
Their management push and motivate the band to work as hard as they can to improve their material and perhaps influence it to be what a record company might want to hear. They are usually responsible for any exposure the band receive, for example interviews, airtime, music journals etc. They also take care of general administration and organise rehearsals and such things. Many aspects of what this management company deal with will be taken care of by the record company on a much larger scale if the act were signed. In this case we have looked at a management company who found a band to dedicate themselves to. However there can be many different management positions, for example a manager could create and market a musical product which is the case of todays
“manufactured” pop industry. In effect we understand that management look after the artist, motivate them and advise them on all aspects and their role in organising a tour would be highly important as they are the link between the artist and anyone else.
The management company may be responsible for approaching the agent and asking them to organise a tour. Or the management company will discuss details of the tour with the record company who will then ask an agency to set up the tour. The agent will provide a list of tour dates and income for the management who will have to work out how much the tour will cost, with the help of a tour manager who will be responsible for keeping track of the venue, transportation, accommodation, advances, itineraries, guest lists, merchandise sales and their costs. The management will approach the record company with the details to find out whether they can financially support the tour.
Record Company
The record company have their own accounts department who deal with all the financial matters. When an act is signed they will be responsible for providing them with money for equipment, recording, tours, travel etc as well as giving them there share of sales.
Although initially tours regularly lose money, if the record company believes the band will eventually pay off they will support them. In effect initial tours are more of a promotional excercise. Untill the band are more established and popular they may not make any profit from touring.
The record company will also have its own marketing and promotion department. Their job is to promote the artist and get them as much exposure as they can working alongside the press office (the link between the artist and the press) any kind of promotion through the media, interviews, advertising etc alongside the promotion of their tour will effect