Dharma Productions Pvt. Ltd.Essay Preview: Dharma Productions Pvt. Ltd.Report this essayDharma Productions Pvt. Ltd. is an Indian motion picture production and distribution company, based in Mumbai. One of the major production houses of India, Dharma production produce high quality Hindi cinema. Some of the movies under this production was one of the first Indian feature films to figure on the UK top 10. Dharma Productions Pvt. Ltd. is associated with good-looking cinema. This is their USP. The kind of films Dharma Productions make range from action flicks to non-commercial to socially relevant films. There is versatility in the kind of movies produced by this production house.

Established by Late Shri Yash Johar in 1976, Dharma Productions endeavor has always been to produce high quality cinema that is accepted and appreciated by audiences across the world. He made Hindi films that were noted for featuring lavish sets and exotic locations, but upheld Indian traditions and family values.

Yash Johar began his career in Bollywood in 1952 in Sunil Dutts production house Ajanta Arts. He was associated with films like Mujhe Jeene Do and Yeh Raaste Hai Pyaar Ke. He helped filmmaker Dev Anand handle the production of his film Guide, which did roaring business at the box office. He continued with Dev Anands Navketan Films and handled production of films like Jewel Thief, Prem Pujari and Hare Rama Hare Krishna.

When he started Dharma Productions, the first film produced by the company Dostana directed by Raj Khosla was a huge box office success. The company produced a handful of other films in the 1980s and early 1990s.

Yash Johar was born on September 6, 1929 in Mumbai, Maharashtra, India. He was married to Hiroo Yash Johar. Yash Johar died on 26 June 2004 in Mumbai, aged 75, of a chest infection though he also had been fighting with cancer. After the death of Yash Johar, his son Karan Johar took the reins of Dharma Productions and has catapulted it to new heights.

Karan Johar, Yash Johars son, who now runs the production house, is one of Indias most versatile filmmakers who is dishing out a wide variety of films. He is an Indian film director, producer, screenwriter, costume designer and television host based in Bollywood. Being the head of the production company Dharma Productions, he is most known for directing and producing some of Bollywoods highest grossing films in India and abroad. Four of the films he has directed, those starring Shahrukh Khan, have been Indias highest grossing productions in the overseas market. The success of those films resulted in crediting Johar for changing the way Indian cinema has been perceived in the West.

Dharmas reputation as a clean, honest company grew with the kind of films they produced and thus helped build a tremendous amount of goodwill within the fraternity and outside of it. With extraordinary records of success stories, a cinematic history from Dharma Productions dawned on Indian Cinema.

Heart-warming, stories, stellar megastar casts and record box office collections – these are what made up for the celluloid dreams at Dharma Productions whose main goal was to enrapture audiences all around the world, and has raked in success for the company and its associates.

Soon after its inception, Dharma Productions became a buzzword for stellar productions such as Dostana (1980), Duniya (1984), Muqaddar Ka Faisla (1987), Agneepath (1990) and Gumrah (1993). Karan Johar entered the film industry as an actor in Aditya Chopras Dilwale Dulhania Le Jayenge (1995). He later made his directorial debut with the highly successful romantic comedy, Kuch Kuch Hota Hai (1998) which won him a Filmfare Award For Best Director and Filmfare Best Screenplay Award. His following directorial efforts were the family drama, Kabhi Khushi Kabhie Gham (2001) and the romantic drama, Kabhi Alvida Naa Kehna (2006), a movie which dealt with the theme of adultery. Both films were major financial successes in India and abroad. Karan Johar thus established himself as one of the most successful filmmakers in Bollywood. His fourth film, My Name Is Khan (2010) was met with positive reviews and grossed 2 billion (US$37 million) worldwide. It earned him his second Best Director award at the Filmfare ceremony.

Karan Johars JourneyAs an Actor and Director: Karan Johar formally entered the film industry as an actor, portraying Shahrukh Khans close friend in Dilwale Dulhania Le Jayenge (1995). He was also assistant director on the film and helped director Aditya Chopra in writing the screenplay. In addition, he selected Shahrukh Khans costumes, something he continued to do for Shahrukh Khans other movies like Dil To Pagal Hai (1997), Duplicate (1998), Mohabbatein (2000), Main Hoon Na and Veer-Zaara (2004) and Om Shanti Om (2007).

Johar made his directorial debut at the age of 25 with the cult film Kuch Kuch Hota Hai in 1998 which he also wrote the story and screenplay for. Johar first wrote a story about a love triangle between a tomboy, a very pretty looking girl and a slightly insensitive boy but he shelved the idea because he was not satisfied with it. Then he wrote another plot about a widower and his child which he shelved as well. Eventually he decided to merge the two stories into one. He explained in an interview with Rediff: “It was about the trauma of a widower and his little child. How the child really wants a mother and how she brings her mother into her fathers life. Then I thought: Why not bring a youth aspect to the story? Why not a flashback? Thats how the story got made.” Starring Shahrukh Khan, Kajol and Rani Mukerji, the film was well received by critics and audience alike. It won a National awards, eight Filmfare Awards in 1998 including Best Movie, Best Director and all four Best Actor awards for both leading and supporting roles. It was also the highest grossing Indian movie of the year in India and abroad and was declared an all-time blockbuster by Box Office India.

Johars second directorial effort was the family drama, Kabhi Khushi Kabhie Gham, released in 2001. It featured an ensemble star-cast that included Shahrukh Khan, Kajol, Amitabh Bachchan, Jaya Bachchan, Kareena Kapoor and Hrithik Roshan. It was the fifth film to star Khan and Kajol and their last together in the decade until their next cast, again by Johar, in 2010. Johar stated that he make the film because of his desire to create a saga like Yash Chopras Kabhi Kabhie which dealt with parent-child relationships. He also added that “The posters of all those big stars glittering on a banner had entranced me in childhood. I said one day I will make a film with big stars standing together in one frame. I integrated both ideas in K3G.” The film was a major financial success and became Indias second highest-grossing

′ the biggest film of 2015, for a gross of $3.99 million.

Lack of a strong international connection could help to explain some of the differences between the Jakhs films and the ‘Chubra’s’ in the 1980’s and ’90’s. While it is true that the ‘Chubra’s’ had not yet been released overseas – at least not on a film release tour for some time – the ‘Chubra’s’ did have its own international reach. By 1980, Chubra’s had a gross of $15 million and a US$3 million opening weekend across 7 countries. These were followed by ‘Uday and Manu’s’ grosses in ‘Acharya’ India, ‘Khan’ India, ‘Alicia Kashyap’s’ debut in ‘Acharya/Sonaj’ India (the second largest film-doubled since K3G debuted) and in ‘Kamalaya’, a film that was released later in January 1989. The Jakhs films had an international fan base as well. However, they were produced mostly in India, and, despite its high international release, their box office output wasn’t really that great. They struggled financially at the beginning of the decade, yet the international distribution is considered to have been more successful on an expanded basis, with $14.2 million domestic and $11.3 million international opening. Some analysts view the success earned by those Jakhs films as a sign of strength because it allows their success to be celebrated in a wider and more profitable market. They may be a little less successful with their overseas sales as far as film-doubling is concerned, but these films were not made by a particular company like Jakhs that were making a large number of international films. Also, there may have been some minor issues such as low quality or technical limitations. The Jakhs films were more successful than I anticipated. They opened in 2+ years in all theatres and 4+ years with their opening times in theatres across China, Indonesia and Thailand making them around twice the wide open time of ‘Chubra’s.’ On top of that, and perhaps not coincidentally, they have become the most popular and successful movie-doubling service on film-watch here in China. The success generated by that international success has given the Jakhs to be very successful. The lack of international success, along with some domestic success, makes it hard for the country to compete successfully as a home destination that is considered a leading international destination like the US or Europe for the cinema and other entertainment of choice. There are many reasons why audiences like Jakhs films. As mentioned in other threads, the success generated by the Jakhs films is attributed in part to them being more popular in that the foreign theatrical release of their films has reduced local demand from some markets and it gave the production company the freedom to focus on what it wanted to do. The large international success may give them an

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