Essay About Inner Games Of Music And Gallweys Books

The Inner Games of Music – Research Paper – cynthia123
Search
Essays
Sign up
Sign in
Contact us
Tweet
Index
/Music and Movies
The Inner Games of Music
The Inner Games of MusicNameInstitutional AffiliationDateThe Inner Games of MusicThe Inner Game of Music by Green, B & Gallwey. W. T of the year 1986 was inspired by Gallweys books of inner games like the Inner Games of Tennis. Green wanted to know whether some approaches that are applied in sports were also applicable to music. The book therefore bases its ideas on how to think about, approaches used in playing music together with the music practice. The book claims that for performance to be successful, one should not have any form of interference. Since Green was a university tutor and a skilled symphonic bass player, he wrote things he is aware of, how it affects people and what they can adapt to achieve success. Through this, the book has aided many individuals who were worried about their solos and auditions to become confident and proficient musicians. Therefore, in this paper, I will discuss the authors aim to reduce the degree of mental interference that prevents tremendous performance by providing several approaches that one needs to consider.             First and foremost, the books explains that performance is achieved when one has potential and lacks interference. Potential is the ability one has in doing something while interference is something that distracts one from achieving the underlined objectives. The authors described various forms of interference which included, one having a fear of losing control in the performance, being worried about the player, having fear that you may forget the music that you have already memorized, thinking that the equipment or the instrument might not function appropriately or doubt whether your ability is good or bad. For the identified interferences, the books explains that people should not give any attention to the distractions since, in case of any, it detracts the performance thus leading to failure of achieving success.

Additionally, the book provides the formula P = p – I, which is claimed by the authors that it contributes to good performance in music. P is the performances level, p is the performers potential while i is the performance level of mental interference. In this case, Green explained that for good results in music, i should be decreased for the P level to become close to p which will help the musician achieve what he or she desires. They also addressed the ideas of self 1 and self 2 which are vital in the music industry. Self 1 is the analytic, rational, judgmental self hence described as personal interference during the presentation. Self 2 is the body-centered, emotive and more holistic thus containing peoples natural abilities and talents. For these reasons, Green and Gallwey described how the both selves are important, but each plays its role in music presentation. However, he claimed that his culture emphasized more on self 1, but self 2 also possessed its strengths which people should consider. He advised people that in their performances, they should ignore self 1 and allow self 2 to dominate uninterruptedly to express their talents exemplarily. To disregard the self 1, Green presents and discusses various techniques that enables self 2 get on well with playing music or any other performance with no interference. It is often considered when one switches attention from the chatter of self 1 to some characteristic of music or doing anything that is counterintuitive.  For instance, the book presents a case where one plays an obstinate leap on an instrument. In this case, you may have practiced the action but you are worried whether you can manage it or not.  For this situation, Green together with Gallwey suggests that one should play the leap frequently while trying to get it wrong. Through it, one will make himself or herself pay attention to what is happening without worrying about it. They also advocated that trying the action helps to discover that you can have faith that your fingers will get it right always. Eventually, one achieves success since practice makes perfect.

Continue for 4 more pages »
Read full document
Download as (for upgraded members)
Citation Generator
MLA 7
CHICAGO
(2017, 12). The Inner Games of Music. EssaysForStudent.com. Retrieved 12, 2017, from
“The Inner Games of Music” EssaysForStudent.com. 12 2017. 2017. 12 2017 < "The Inner Games of Music." EssaysForStudent.com. EssaysForStudent.com, 12 2017. Web. 12 2017. < "The Inner Games of Music." EssaysForStudent.com. 12, 2017. Accessed 12, 2017. Essay Preview By: cynthia123 Submitted: December 6, 2017 Essay Length: 1,131 Words / 5 Pages Paper type: Research Paper Views: 470 Report this essay Tweet Related Essays Analyzing Music Music on one of the most powerful of the arts partly because sounds – more than any other sensory stimulus – create in us involuntary 3,157 Words  |  13 Pages How Else Can Be Classified as Music All are well aware that the case is not very, very simple. About how difficult it can be read from kurokikaze. At one time, read 279 Words  |  2 Pages The Life and Music of John Coltrane A Brief Look Into The Life and Music of JOHN COLTRANE Pg. 1 John Coltrane was born in born in Hamlet, North Carolina on September 1,770 Words  |  8 Pages What Is the Cause and Effects of Music, Television, and Video Game Violence on Children and Teens in America? Bradis McGriff Humanities 110 November 27, 2004 Dr. Privateer What is the cause and effects of Music, Television, and Video Game Violence on Children and 2,954 Words  |  12 Pages Similar Topics Music Bob Marley Pesuasion People Music Get Access to 89,000+ Essays and Term Papers Join 209,000+ Other Students High Quality Essays and Documents Sign up © 2008–2020 EssaysForStudent.comFree Essays, Book Reports, Term Papers and Research Papers Essays Sign up Sign in Contact us Site Map Privacy Policy Terms of Service Facebook Twitter