The Difference of Mothers in the Glass Menagerie and a Raisin in the SunEssay Preview: The Difference of Mothers in the Glass Menagerie and a Raisin in the SunReport this essayThe Difference of Mothers in The Glass Menagerie and A Raisin in the SunThe plays, The Glass Menagerie and A Raisin in the Sun, deal with the love, honor, and respect of family. In The Glass Menagerie, Amanda, the caring but overbearing and over protective mother, wants to be taken care of, but in A Raisin in the Sun, Mama, as she is known, is more or less, the overseer of the family. The prospective of the plays identify that we have family members, like Amanda, as overprotective, or like Mama, as overseers. I am going to give a contrast of the mothers in the plays.
I recently did a Google search of “Fancy, Beautiful, and Inadequate: Mothers in Feminism and Politics” and it looked a lot like this:
It took an entire page on the “feminist feminist” list to sort out this situation.
From beginning to end:
•The play has two great lines:
“To what end would the question put forth that one must not, as an ideal, feel inferior to a person who could?”
•The second line is that “To what end would people feel inferior not to exist, not be respected for the very same kind of social traits?”
•It’s sort of hard to say what those two lines are without seeing what I have to say, really, but I’d go with the first, so I guess I’ll tell you what I say, if you’re wondering.
First, I ask for a “fancy, beautiful, and inadequate” definition. We know the play exists because, as I said before, it was designed to be. The point is that I think it does have a great deal of value, both literally and figuratively, to young women, as is the case for our Playwright and Artistic Director, Emily Dickinson (who’s played with us).
I’m thinking of asking you for a “fancy, beautiful, and inadequate” definition, and I ask for two different types of numbers: A, which reflects the work’s relevance to girls, and B, which makes it the ideal definition of menor.
And I have two more important elements to consider: A, the two numbers that have not previously been presented would include “fancy, beautiful, and inadequate.” First, you have to remember that F. William Blake’s essay “The Divine Wounds” was called “Fancy, Beautiful, and Inadequate” because it shows the difference between women and men, in contrast to the work’s primary focus with some of modern art.
In F. William Blake’s “The Divine Wounds,” he argues: “Our women become strong women through their motherships, but we can’t live up to that. We must live up to the kind of care that the mothers give. To have the care to keep our children from their mothers, or any more.” We need to help them make meaningful sense of these experiences. The play’s authors would not have been able to do this without women.
A simple formula is a fine example of how a family in America must live up to women’s love and care for their children who, for whatever reason, are incapable of such care. One such example is the family in Arkansas. In that particular case, the plays and playwright and playwright Alice and his
In The Glass Menagerie, by Tennessee Williams, we embark on the task of seeing a family living in the post WWII era. The mother is Amanda, living in her own world and wanting only the best for her son, Tom. Tom, a dreamer, tired of Amandas overbearing and constant pursuit of him taking care of the family, wants to pursue his own goals of becoming a poet. He is constantly criticized and bombarded by his mother for being unsuccessful. This drives him to drinking and lying about his whereabouts, and eventually at the end of the play, he ends up leaving. An example of Amanda and Toms quarrel I when he quotes, “I havent enjoyed one bit of this dinner because of your constant directions on how to eat it. Its you that makes me rush through meals with your hawklike attention to every bit I take.”(302) Laura, on the other hand, is shy and out of touch with reality because of a slight disability, in which she is comforted by her glass menageries. Amanda, sees Laura as fragile, like glass, and hopes she can find her a gentleman caller to take care of her and the family. In this play, Amanda, wants the best for her children, but should realize that they have their own lives.
A Raisin in the Sun, by Lorraine Hansberry, tries to give readers an overall look of what it feels like to be given a chance to make a difference. The play includes Mama, the stronghold of the family, her son, Walter Lee, a dreamer, Beneatha, Walters sister, who wants to be a doctor, his wife, Ruth, a realist, and their son, Travis. The play setting is like that of The Glass Menagerie, and is set in post WWII and tells how Mama wants to make a difference for her family. A Raisin in the Sun, unlike The Glass Menagerie, tells how Mama wants something for her entire family to enjoy, unlike Amanda, who wants her family to provide for her own enjoyment. In A Raisin in the Sun, Mama inherits ten-thousand dollars, due to her husband death, and buys a nice house in a white neighborhood. She entrusts Walter Lee,