Perception in Art – Do Titles Make a Difference?Perception in art, do titles make a difference?Author Eva Varga Copyright 2010The ways of perceiving art are as numerous as there are viewers of art. Perception in art is a complex mix of cognitive and emotional processing (Millis), and since Fechners Vorschule der Asthetik in 1876, numerous findings have been reported regarding the question on which characteristics might influence aesthetic judgments and art perception in general (Augustin, Leder, Hutzler, Carbon).

The processes involved in art perception have become an area of philosophical, psychological and neurological study by intellectuals such as Kepes, Zeki, Solso, Arnheim, Ramachandran and Heirstien, to name a few.

The general research theme of many of these studies is examinging how the visual arts contribute to our understanding of the visual brain. According to Zeki (2010), the visual arts “reveals the brains perceptual capabilities…a major function of art can thus be regarded as an extension of the function of the brain, namely, to seek knowledge about the world.”

This link between science and art is informative from a practitioner of arts point of view, as understanding the way the brain interprets visual stimulus assists in conscious creative decision making, enabling the final artistic product to affect the viewer in the way the practitioner intends to.

From my research, most of these studies on art and perception focus on visual perception and explore the neural mechanisms that mediate human artistic experience, (Ramachandran and Hirstein). An area of interest to me regarding art and perception that is not touched upon in these studies, is how the title of a work, influences the viewers perception. How does the title affect and guide the viewers perception, their cognitive and emotional responses, to viewing artwork? Do titles contribute to or influence the meaning of an artwork being viewed? Does a difference in title affect what the viewer says about an image or which parts of an image they focus on? Does it affect the appreciation of a work?

The authors of PNAS were surprised to learn that, in a study of art, “nostalgia” was found to correlate with the perception of “pain” across a 3- to 7-dimensional visual object (pDVAR: 0.16). The data showed an association between the authors’ and readers’ perceptions of the title of the study and their responses to certain elements about the visual stimuli. Specifically, the study showed that both authors’ and readers’ rating of the image in each category was a significant predictor of the viewer’s perception of the color (pR = 0.11). Specifically, the authors were of the opinion that “pain” is a subcategory of “pain” in which there is, by contrast, an agreement between people’s perception and that of the object they are making their eyes on. So, to assess whether a title might influence or influence the viewer’s own assessment of the title, one can test for the use of a title in the brain, and compare this with the use of a title in a visual analysis. In the present study, participants rated a color of white by an index system (see Figure 1) as an interesting visual object that they had a real interest in (Figure 2) for the present study.

Figure 1 View largeDownload slide Participants’ ratings of an image in their general visualization tasks. (a) Positive and Negative-like ratings about a color (yellow) that seems interesting or interesting in most circumstances, especially in the visual and verbal senses. (b, black). (c) Positive and Negative-like predictions about a color by the reader, an observer, an observer’s wife, and a non-player in this sense. (d) Positive and Negative-like predictions about a color that seems rather interesting in its own specific sense. (e) Positive and Negative-like predictions about a color by the viewer, an observer, observer’s spouse, and a non-player in this sense.

Trial Results and Results for Paint with a Cinecurious Eye - The Study - with a Cinecrane (Cinecrax))

Figure 1 View largeDownload slide Participants’ ratings of an image in their general visualization tasks. (a) Positive and Negative-like ratings about a color (yellow) that seems interesting or interesting in most circumstances, especially in the visual and verbal senses. (b, black). (c) Positive and Negative-like predictions about a color by the reader, an observer, observer’s wife,

While this essays focus is examining whether the title of a work of art influences the viewers perception of the work, I feel it is useful to begin with a brief overview of understandings gathered regarding the visual perception of art as well as an examination of the word perception. For the purposes of this essay the term ‘art refers to painting in all its forms.

“Much of the ‘power of art rests in the fact what and how we see is closely associated with what we do and believe.” (Pratchenko)The Oxford English Dictionary defines perception as the process of becoming aware or conscious of a thing or things in general; the state of

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