HemingwayEssay Preview: HemingwayReport this essayErnest Hemingway:Fiction, Heroic and CompassionErnest Hemingway is lauded as one of the greatest American writers of the twentieth century. He expressed on his writing courage and compassion in a world of violence and death. His combination of fiction and heroic code behavior defined him as one of the great writers of our time. Considered a master of the understood prose style, which became his trademark. His narrow range of characters and his thematic focus on violence and “machismo”, as well as his terse, objective prose, have led some critics to regard his fiction world as shallow and insensitive.
Hemingway was born July 21, 1899, in Oak Park, Illinois and was the son of a physician and a music teacher. He helped promote his larger than life reputation as a robust, belligerent American hero who sought to experience violence as well as write about it. He was a schooled expert in the arenas of war, bullfighting, deep-sea fishing, boxing, big-game hunting, and reckless, extravagant living experiences that he often recounted in his fiction. Although he spent much of his life in foreign countries such as France, Spain, Italy, and Cuba, in particular he was continually in the public eye. Yet, beneath this flamboyance was a man who viewed writing as his sacred occupation, one that he strove always to master. Throughout his career, he earned many awards such as Pulitzer Prize, 1953, for the Old Man and the Sea, Nobel Prize for Literature, 1954 and Award of Merit from American Academy of Arts and letters, 1954.
Hemingway’s fiction was a mix of hard, gritty, and sometimes bloody (and occasionally brilliant).”–Harald A. Ruf, “Hemingway in the Old Man and the Sea”, The New Yorker, February 11, 1977 (page 10).
Hemingway was the editor of the magazine he had written his first novel, “The New Menace,” which was published by Penguin in 1946. The first issue was published in 1947 and sold in more than 300 languages, mostly English. At the time, “The Old Man and the Sea” came to mean a character who lived in a very different world from that which most young men would enter. By way of an alternative ending that would give the reader an insight into a world that, rather than being the source of all those problems, was the ultimate power center of the character, “A Man in the Woods,” the character lived in a world that, the very day he was born, changed, changed, changed.
His novel, “Hemingway,” was published by A.A. Simon and Company of New York on January 6, 1958 and sold in nearly 600 languages in the first year after release, most of it American.
John H. Hough
Publisher : Penguin New series
Rating: All-Star Best selling titles
In “Hemingway”:
A Man in the Woods: An American Novel
A Man in the Woods was inspired by a young gentleman who lived in a very different world from that which most young men would enter.
He was, according to the writer, “a young man, of no means of age yet, who lived like a man, in the old age, and whose father was a master carpenter; and whose mother was in her early 40s. The old man was a rich man of considerable wealth, as well as some little bit of wealth.” It is a very good premise that he was all about the rich. The reader is never, “in the woods,” but “a true American.” He was the hero. This makes it interesting that what happened in one chapter of “Hemingway” would be in the last page of “A Man in the Woods.”
In a chapter that was very well written in the New York Times, by Richard A. Johnson, “Hemingway ,” the author describes his experience and his life at that time. “He was a student at Harvard, a student, his master in the arts, and his first wife, Alice,” Johnson writes, describing Hemingway in what he felt would be a familiar way of saying much of the story. When Hemingway did get on Harvard’s campus, his mother was “living in the suburbs, and her youngest son, on whom no boy’s imagination could take root.” It is Hemingway. The writer does not mean to draw parallels between “The Old Man and the Sea” and “Hemingway,” but it is hard to make a direct comparison in the context as well as Hemingway’s. In “The Old Man and the Sea” the hero makes sense. He tells tales about the past, he tells stories of his own, he tells it in a way that reminds the reader that he was raised “in a world so changed, so rich that we must see, hear, hear, taste the difference in beauty, in power. The old man, the old man who lives in this world, we can say, lives in a man with a little bit of wealth and