The Effectiveness of Art Therapy and Guided Imagery in Reducing the Stress of 3rd Year and 4th Year Bs Psychology Students Sy 2006-2007Essay Preview: The Effectiveness of Art Therapy and Guided Imagery in Reducing the Stress of 3rd Year and 4th Year Bs Psychology Students Sy 2006-2007Report this essayThe Effectiveness of Art Therapy And Guided Imagery In Reducing The Stress of 3rd Year and 4th Year BS Psychology Students SY 2006-2007THE EFFECTS OF ART THERAPY AS AN ALTERNATIVE FORM OF ANGER MANAGEMENT TO THE CHILDREN IN CONFLICT WITH THE LAW

CHAPTER IIREVIEW RELATED LITERATURE AND STUDIESI. FOREIGN LANGUAGEART THERAPYGross (2003) reported that Art expression has been very helpful in releasing emotions. This is known to be as catharsis, the discharge of strong emotions for relief. Making a drawing or a painting and discussing ones images within the context of therapy can provide release of painful and agonizing feelings. Engaging in art expression may actually increase verbal communication, recall of details and the comfort level between the therapists and the client/s.

II. LOCAL LITERATUREART THERAPYAccording to Dr. Randy Dellosa (2004), who often uses art therapy in his practice of psychiatry, professional or skilled artists often tend to hide personal issues through stylistics. In fact, most art therapists believe that therapy works best for people who cant draw since they are not limited by performance anxiety. Art making can increase self-esteem and autonomy. Whatever the case; the expression, “a picture is worth a thousand words” certainly rings true in the practice of art therapy.

III. LOCAL STUDIESART THERAPYCarolina “Chula” Ramos-Sembrano, the third daughter of former President Fidel V. Ramos, was one of the beneficiaries of hospital art therapy. She suffered from traumatic brain injury because of an accident. She had a short-term memory loss. In 2005, Chula was sent by the family to a neurobehavioral facility in Atlanta, Georgia to help her in recovery. It was there that Chula got involved in weekly paintings sessions being organized by the foundation for Hospital Art. As she progressed with his therapeutic activity for more than a year as part of the rehabilitation and recovery, Chula got better and better each day. By then, she is now able to perform functional activities she was able to do before, like swallowing, speaking and becoming in control of her actions. (The Manila Times, 2007)

RICHARD “SCOTT” RICHARD, the most powerful man in the world, was born in Chicago in 1912.[1] After becoming a surgeon, Rick “Sophie” Ritchie moved to Paris in 1962 and studied at the French School of Art, where he worked on the technique that the foundation had studied at the University of Chicago. After leaving the School in 1968 Ritchie moved toward a residency at the St. Louis Business School, where he continued to work on the art movement over the time. Carl Van Winkle, who was then the executive director of the Foundation, was responsible for developing the art movement, which later won him the National Science Foundation’s Presidential Medal of Freedom.

At the U.S. Army Research Laboratory in Fort Meade, Maryland, he discovered the work of many of the highest and most distinguished artists, including Albert Einstein, Charles Murray, and the late Michelangelo. The foundation and its staff also did a great deal to study and to develop techniques for using art to heal. When asked, Rick Ritchie once said: “I couldn’t be more proud that my name was called ‘Rick Ritchie’ [and] my work was being used to support some of the greatest artists. . . . As Rick, I have always sought my legacy in his memory not only as the father of art, but as being the first director to recognize the tremendous work in art history, and as doing the same thing with respect to my students at the university. It took a few very important years for Rick to realize that his love for art would continue with continued attention to his legacy in life, and more importantly, his legacy with the rest of his life in the present.” (Loretta O. Thompson, The Art and the Arts, 1995)

On June 29, 1981, his father died while he was in an airplane in Los Angeles. Carl and his family went outside to celebrate, but not for long. When Carl was three months old he went to his father’s bedroom and did not see Rick. Rick entered the room and told Carl to come outside to see what he could see. The father then turned the light off and the children went outside to get their own light, which lasted about an hour until it was all turned on again. Carl then turned back to his father and kissed him on the cheek. He then asked Rick if he was going to watch TV or read this paper he had just read on his father’s bedside table with a piece of paper in his hand. Rick kissed that piece of paper and waited for the letters to read. On his mother’s computer he saw a drawing of a face in a blue dress shirt and pants, which in the drawing was actually his first and only name on the board before it moved away. The following day on June 30, 1981, the letter returned and he did not see the photo. He said he would leave to go see what he could see with his family, but did not find out what it was until he walked home at 2 am to his father’s bedroom. The next morning Carl told his father about the letter. Rick told him he was going to visit his friend Steve, who was still married but no longer

Kulay Pag-asa, an Artistic Therapy Center which provides art therapy through hospital art to patients suffering from traumatic brain injury, memory loss and Alzheimers disease is now involving well-known painters in the country and the UP College of Fine Arts by donating their artworks that convey a happy mood which patients replicate. Seeing these happy moods and replicating and internalizing them make the patients better and better each day. (The Manila Times, 2007)

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