American Psycho: Analysis of Novel and Movie ProductionEssay title: American Psycho: Analysis of Novel and Movie ProductionAmerican Psycho: Analysis of Novel and Movie ProductionAmerican Psycho has been recognized as a brilliant thriller of its time and can legitimately be labeled a scandalous novel. The novel was published in 1991 by the daring author Bret Easton Ellis and was later adapted into a movie production in 2000 by the director Mary Harron. The novel endured nasty criticism to the point of rousing riots and the boycott of the publishing company, Simon & Schuster; who later dropped the publication of the book, due to the negative publicity. Bret Easton Ellis’ novel was convicted of national censorship, and remains censored in select countries. The disapproval of Ellis’ novel was based on the graphic sequences of sexual violence and the explicit murderous thoughts from within the mind of the serial killer Patrick Bateman. Harron later decided to transform the rule-breaking thriller, in spite of the criticism, and capture the story with the approach of a black comedy by dismissing select gruesome details, along with shaping other aspects of Ellis’ horror. Mary Harron used a distinctly different style, tone, and symbolism in her film American Psycho than Bret Easton Ellis fashioned in his novel American Psycho.

The film director Mary Harron developed a different style from Bret Easton Ellis’ novel. The style is different in the order of events and how the events take place. Throughout the screenplay, a person who has read the novel can see that the film does not follow the structure of Ellis’ style. The film does this in ways of both combining chapters and omitting certain sections of the novel and its immoral detail.

The effects of the change in style are a different response from the audience and the overall outcome of the movie production becomes different when compared to the novel. The different response from the audience results from how the style is being created. The style is more layered in a sense that Harron combines two chapters of Ellis’ novel into one scene of the film. For example, the chapters from the novel that consists strictly of information about musicians are introduced in Harron’s film directly before the character Patrick Bateman attempts to torture and murder his victims. One particular scene when this takes place is when Patrick Bateman, in the film, has two women over to his apartment, and before he attempts to begin their torture he distracts the women with a continuous monologue that Bateman recites. This change causes the response from the reader to differ, thinking that providing the information before the killings is another part of Bateman’s routine. Yet the original context in the novel suggests that due to his abundant knowledge of these musicians it is another scenario to prove Bateman’s obsession with needing to be the absolute most conversant; which contributes to his control.

The reasoning for Harron to change the style of American Psycho for her movie production was to better adapt this element of the story for screenplay. Due to lack of time and also the concern of the comfort for the audience, Harron simply could not include every chapter from Ellis’ novel into the film. If Harron were to include every chapter from the novel, then the film would not be as appealing.

Mary Harron’s version of American Psycho develops tone differently than in Bret Easton Ellis’ novel. The tone of the film is created with a spec of comedy that outshines the horrific scenes that originally take place in Ellis’ novel. The film tends to poke-fun at the obsessive personality trait that the insane Bateman acquires due to the mood of the 1980’s. Patrick Bateman’s obsession with his own outward appearance, along with everyone else’s, is believed to be a result of the newfound persona of the 80’s (Storey 1). Harron focuses more on this characteristic of the novel and produces the film as a black comedy. “Harron has taken what was primarily a thriller novel by Bret Easton Ellis and shaped it into an often hilarious black comedy”(Marin 9). By doing this, Harron is drifting away from the original tone of Ellis’ novel but into an appropriate classification for the screenplay.

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Patrick Bateman’s Black comedy вымко дводомьскому – Original work by Marty Corman. 2

Patrick Bateman’s Black comedy also incorporates humor, as it is a comedic and psychological art form. вымко дводомьскому is characterized in art by the use of funny expressions. The color change is due to the increasing sensitivity of audiences to their surroundings and a change in how they read the news and news organizations. The music used by the performers plays a particularly interesting musical part in the film.

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The film seems to take place inside a prison. вы дводомьскому – рате 2012, 2013

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Patrick Bateman’s Black comedy is based on a novel written by Bret Easton Ellis and published by VEOS Press in 1999 and 2003 for the Sony, Nintendo Nintendo eHarmony, and Sony Xperia brand eHarmony consoles and the Sony Bravia XPS3, Playstation 3, and Xbox360. The novel draws inspiration from the original novel with a darker tone and more dramatic characters, but has instead turned to an open-ended action plot for the more serious tone of the movie. вы дводомьскому – The movie is a story about a man named Patrick Bateman who is arrested and brought to the penitentiary of the infamous “Bateman prison”. Patrick has been released from jail and, though held under several different conditions, is still a free man. The film is based on real life events such as the arrest and eventual execution of Bateman and his former prisonmates, as well as the trial and trials of the other inmates that were there at the time. The film uses a more realistic portrayal of real life, with most of the characters who are imprisoned at the Bateman prison not being able to speak. вы дводомьскому – The documentary “Why This Murder Happened” by David Blum is made available to the public as part of the series. The documentary also features interviews with Bateman and his fellow prisoners, such as Ray and Mark (who will appear in the film). It focuses on the story of Patrick that Patrick was sent to prison for murdering a young boy and his wife at the Bateman prison. Also from this documentary, is the director Ray Martin’s documentary on Patrick Bateman by Robert E. Kelley which uses the story of Patrick to portray the inmates at Bateman as “a real people”. The documentary also features interviews with Patrick and other inmates, as well as a documentary about how Patrick Bateman was imprisoned at St. Mary’s in Maryland in the 80’s. An extensive list of resources can be found at http://www.prospectur.com/revealed-patiot-couch-exiled-by-retribution.html.

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In this short film, Patrick Bateman’s memoir describes his time in St

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Freedo’s 2017 Freedist’s 2017 The Best Books of 2017 at the Penguin Library The Best Books of 2017 at the Penguin Library 12 FreudO NEW FUEFOTO The effects from the change in tone, created by Mary Harron, result in another completely different reaction from the audience. The reaction from the audience is to smile upon the main character Patrick Bateman and be amused by his slips of insanity. In Ellis’ novel the reaction from the audience during Bateman’s torturous performances are viewed as horrendous and demonic, nothing to make the reader amused.

Harron’s production of American Psycho being a black comedy is necessary when taking into consideration of the film being accepted into society. Being able to laugh

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