Chicano MovementEssay Preview: Chicano MovementReport this essayIn this weeks reading, all three readings have the common issue of the Chicano Movement that soon was the development of Chicano art. The use of Chicano art was used for the struggle to achieve new and more credible human values. All three readings went into depth about the history of the Chicano Movement that captured their history and culture, as well as the art that formed part of the struggle for self-determination. All three readings share a history of art, chicano movement, political movement, and Chicana artist finding themselves during this time period.

In the first reading “Art, Celebration, and Other Popular Traditions”, examines the Chicano popular cultures that were a form of expression. Chicanos have made a mark on American culture through their popular art. One being religious art starting from the conquest, and exploration, and settlements on the New Spain’s northern territories. Religious art form came from traditions that are still relevant today: Santos and Shrines are commonly found among the Chicano families. “Santos are simply images of Holy Family, the crucifix, and other holy persons.” (Tatum 2001) were commonly found within churches but later found themselves in galleries and museums. Shrines which are commonly found in front yards of Chicano neighborhood and also in cemeteries in the United States and Mexico are half-doomed structures used for display generally for a vow or promise. Other popular art such as Mexican murals, graffiti art, low rider art, performance art, and celebrations all provide how their form of art brought socio-political mobilizations throughout the country. Chicanos found their way of putting their history and expressing their cultural values, as protest or for aesthetic value. The art has only evolved over time not only to illustrate current struggles and social issues but also to continue Chicano youth around their culture.

“The Political and Social Contexts of Chicano Art” is a reading that elaborates on the Chicano political movement. The Chicano Movement included Civil Rights, Farmworkers, Vietnam War, and Chicana Artist. From the beginning Chicanos have struggles to affirm in the American Society. The struggles of Chicano/a for equality in the Chicano Movement came post World II, the Vietnam protest movement became of this because of the many Americans that died. “Corky” Gonzalez had spoke at an East Los Angeles antiwar rally which caused the death of Los Angeles Times newsman Ruben Salazar. Moved, chicano artist commemorated these events in murals, films, painting and images. The Chicano Movement was influenced by the Black civil rights “in 1956 when Mrs. Rosa Parks refused to obey

s “Don’t do that again” and other public actions, including the Black Power march at the LBJ Civic Center in 1963, and the protests the day after the 1965 Martin Luther King Jr. assassination in 1965.

  • Corky” Gonzalez was a former Chicano artist and historian. He lived in the Bay Area. He was the author of many books on Chicano art including Chicano History and Art, The History of Color and Latino Culture, and many works about the Chicano movement as an organization. He wrote several books about Chicano art including, Latino/Historical Photography: the Black/White Movement in Contemporary Context. Moved by the Chicano movement, he wrote several books about American Chicano culture and the role of the Chicano community in America, including, The New Civil Rights Era, Color History, National Black History Center, and How Chicano Is Going Forward. Moved by the “Corky” movement he painted, sculpted and painted. Moved by a white person. He studied at Arizona State University.
  • Corky” Gonzalez was involved with the political organizing at the Chicago Black Democratic and Chicano Center. In the 1970s he organized youth political meetings to build up social mobilization among Chicano youth in Chicago and the Chicano leadership there. During this time Corky wrote about Chicano, but also told the story of social progress after the Civil Rights Revolt in the 1960’s.

    Calvin Castro, a political organizer with the Chicago Black Democrat Democratic and Chicano Center, was also a Corky. During the 1960’s with the group the Chicago Black Democratic and Chicano Center grew very popular. Corky has written and directed articles about Chicano issues as well as on Chicano history for local media and the Chicago School Journal. He was editor of that publication’s magazine and also a contributor to The Chicago Tribune as well as a major issue columnist for the Chicago Tribune in the 1960’s. During the 1970s he had been nominated for the Congressional Black Caucus Chairhips by the Chicago Tribune, Chicago Tribune, CBS Chicago Review (which included Chicano political critic and National Hispanic Leader, John P. Martin), The Washington Post, Los Angeles Times, Los Angeles Times Review, American Society of Composers, and the Chicago Review of Books. He did not vote for the Chicago mayoral election in 1971 and did not vote for President Nixon. A political observer, Corky received the “V” before becoming a political operative for the Chicago City Council. This worked well for Corky. He was elected to the Illinois state Senate on 2 May 1990 where he was elected to Congress for the first time in 15 decades. In 2002 he was elected to serve in the Illinois state House of Representatives. Corky had served in Illinois House of Representatives since 1988. Corky is the recipient of the Chicago Sun-Times Award for Excellence in Politics for his contribution to Chicano history and the

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    Development Of Chicano Art And Common Issue Of The Chicano Movement. (August 9, 2021). Retrieved from https://www.freeessays.education/development-of-chicano-art-and-common-issue-of-the-chicano-movement-essay/