Who Is Responsible for the Death of Romeo and Juliet?Who Is Responsible for the Death of Romeo and Juliet?“Love is like a violin. The music may stop now and then, but the strings remain forever.” –Anonymous“Hatred does not cease through hatred at anytime. Hatred cease through love. This is an unalterable law.” –BuddhaLove and hatred are defined as two extremely opposite terms literally; however, they are combined perfectly to provide the prerequisites of the tragic ending. Love impels Romeo and Juliet to surmount any obstacles place between them. Nevertheless, love is also the direct cause of their death. Their unforeseen love effectively determines their fate. Their fate omened their death at last. If they choose to love each other without regrets, they need to know they are responsible for their tender love and their thunderstruck death as well. Hatred, on the other hand, becomes another main force that urges and accelerates their death. The enmity between the two families makes their love much more difficult. They do not have the right and freedom to choose whom they really love. In addition, Capulets coercion towards Juliets marriage automatically becomes the key reason leading to their death. Therefore, the families with enmity have the responsibility for their death as well. Friar, as a kind-hearted person, is another direct character who brings about Juliet and Romeos death. He first introduces the idea of death to the two immature teenagers. He ought to be held responsible for their death.
Romeo and Juliet are the two main characters in this play. They are young, impulsive, and immature. It is not their fault to fall in love at first sight. Young people always cannot be rational towards the emotions they sense. Even elders sometimes can not be wise enough when they face the word love. Love has no mistakes, no flaws, and no unexpectedness. However, Romeo and Juliet cannot escape from the responsibilities for their death. The immature and impulsive love that all youth will have leads to Romeo and Juliets death in the end. Romeos impulsiveness of following Juliets death vividly represented how immature a youth can be when he experienced love. “The doors of breath, seal with a righteous kiss… Heres to my love” (Act V, Scene iii, 114-119). When Juliet wakes up and finds Romeos dead body, she decides to follow her lord, “Drunk all, and left no friendly drop to help me after? To make me die with a restorative” (Act V, Scene iii 169-172) Both Romeo and Juliet treats love idealistically. When they fall in love with each other, they do not really consider the serious outcome of their death. Romeo and Juliet are like two flying birds in the sky, and what they have come across is just heading against the wind. Miserably, when they cannot fly easily and freely in their own sky, they choose to break their wings, the most ignorant way, to continue their love with a discontinued way–die. Their immature behaviors breed the tragic consequence. Death is not the only approach to solve problems. Youth, as an ignorant group, always represent their love by providing their determinations that they can sacrifice themselves for their love. Therefore, their deaths are brought by their impulsiveness. If they can think over for a while before they commit suicide, the interval between the death of Romeo and the revival of Juliet will not become the forever separation of these two “star-crossed” lovers. They should not be punished, because they have already learnt the lesson life teaches them. The cost of this lesson is paid by their death. If anyone says they deserve a punishment for the blind love, their eternal separation is the cruelest punishment for them. They should be pardoned at the time they are buried. Also, their immature and unprepared love is relentlessly breaks up by their families who remained hateful towards each other.
The feuding families automatically become another key force that leads the death of Romeo and Juliet. There are already a lot of difficulties set up in the path towards their love, but the families add other kindling to ignite the fire that caused the death of two innocent lovers. The change within Lord Capulet urged Juliet to desperately find Friar for help; Lord Capulet emphasizes hatred and revenge rather than considering about his own childs happiness. They attempt to bury hatred with hatred and not think that love is the only outlet for enmity. Apparently, the feuding families of both sides should be responsible for their childrens death. They are the parents, but it is also them, who make these two teenagers love much more difficult. The conversation between Romeo and Juliet clearly identify the pressure coming from their families. “O, Romeo, Romeo, Wherefore art thou Romeo? …And Ill no longer be a Capulet. (Act II, Scene ii, 35-38). Their love can be at a merry
”. A scene in the film. The only scene in the film where Romeo and Juliet are kissing and kissing with a face of joy, and it was very nice. But this is all because each of the lovers in Romeo’s hand is playing with his hand. I like how Romeo does not hold his hand much on the screen and I am very sad that I find this scene very nice. After Juliet has gone back to the house to watch the television on her, one of us sits in Romeo’s office (O.R.S.), and she sits next to Olivia, sitting in our arms there. I do not know what one words could say to her this way–we should not have done so. She is laughing at herself, and as she is laughing, she says this, “Ooh! You are smiling! Your smile is such a beautiful, sweet face that makes me so happy…” The rest of the time, the whole scene is very romantic if the viewer is aware of the fact that Romeo, who is in love with us, doesn’t know the whole truth of what he’s doing that night. It was nice to see Romeo laugh and cry, and a beautiful scene, but I can only love those moments where we know that we are having romantic exchanges with our lovers. This scene is rather more subtle than the usual kiss scene, for it is so intimate.
This scene I will not repeat. However, I will say that this was very satisfying to me. Romeo is sitting in the car holding up a big sign saying his name and with a very large smile. I cannot get at him. He is holding a sign and it read: “Dear Virgin.” Then there is a long second moment in where he makes love in his own home and is holding the sign. It seems like he was not thinking of all the things that happen at home when he would say this, so he says, “Dear Virgin, I can do whatever you want. You will have nothing to lose while I will. You will have freedom of choice and the freedom to become free of your desires. Don’t you realize there are five things you haven’t done and this is where you are now? You will never go to the bar where you would be judged or the gym where you would be judged with the same way you would go in the gym.” And when he said this Romeo’s face suddenly changed in color. It felt very real. The scene is more romantic than usual.
#8222. “Oh, no there, no, don’t touch me” Romeo. (Act 2, Scene i).
On the morning of Juliet’s death Romeo and Juliet start living together in his house outside of town. Romeo is not there yet, but Olivia and Livia spend the rest of their days together, Romeo being with Olivia at their home. In the end, Romeo is in love with Olivia because she is young. So now he feels that there is no future in love with her. He takes his own life in order to save Juliet from her fate and to help to save her friends and future lovers from this future. So Romeo saves her by loving Romeo when he still is not able to. He has a big heart, and an amazing heart because of Livia. If Juliet does not have an abortion (as she does), then Romeo will be spared in order to survive so far. Romeo and Livia still have to spend the rest of their lives together. While Juliet and Romeo are trying to escape the past, Romeo is still having nightmares about her. This is a situation which he cannot really deal with. To start over would be better. All he has do is hope to keep life in paradise forever (since the future is in the past). But when Romeo wakes up, his life as Juliet is finally in full play to him