Haiku III
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Rowell, Charles H. “An Interview with Etheridge Knight”
Callaloo – Volume 19, Number 4, Fall 1996, pp. 967-980
The Johns Hopkins University Press
Excerpt
This interview was conducted in the poets home in Indianapolis, Indiana, between mid-1975 and late 1978, after Dudley Randall issued Belly Song and Other Poems from Broadside Press.
Part 1
ROWELL: Will you comment on what you consider the Black Aesthetic to be?
KNIGHT: I think the Black Aesthetic differs from the European Aesthetic mainly, man, because it does not separate art or aesthetics from the other levels of life. It does not separate art from politics, art from economics, art from ethics, or art from religion. Art is a functional and a commercial endeavor. The artist is not separate from the people. If you were to trace the separation of art from life historically, you would trace it back