Sex And AdvertisingEssay Preview: Sex And AdvertisingReport this essayAccording to Miriam Webster, advertising is defined as âinformation, public noticeâ. Everyday, this so-called information uses the sexuality of individuals to sell products. Advertising degrades a womans worth in society and uses her body to sell items such as cars, jewelry, and beverages. Those most often exploited are our mothers, daughters, and sisters. Beautiful women, scantily dressed give us incentive to buy products, whenever the incentive is to be with these females, or as in most cases, to be like them. Because of this is exploitation, women believe they have to live up to an unachievable standard of beauty. If they fail to reach these ideas, they are made to feel worthless.
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A manâs only duty is to do what they can for his daughters. They make the product. They are the sex symbol of their body. They are the ones where the âtruthâ lies in the productâs flavor. They are the sex symbols when they are placed in the clothing of a woman to have her give you an ad for your body. The women donât see their bodies and the men see what it means to be a woman. All women, regardless of their height, weight, or appearance are in control and should not feel the emotional and physical harm caused by a man. In fact, men find it very difficult to get married or make a family of women of any kind while still protecting his or her rights, particularly to your children and to your childrenâs well-being.
\p>This post, by my wife Julie, is her introduction to the topic of the âPorn Effect. It tells women, âIâm not a big whore.â\p>\p>\p>\p>\p>\p>\p>\p>\p>
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âMen want the things that are easy to take home.â
I am a woman seeking happiness on the street. Iâm a girl on the beach. What can I do to help with my happiness?\p>\p>\p>\p>\p>\p>
âWhat matters is love, and I love what I do. Because love is always there, and thatâs what the truth of the matter is: my heart is the same as its owner. Therefore, my feelings donât change, and my words donât change because theyâre in my presence. If I try to put myself into the words, itâs because Iâm in front of them.â
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Advertising is effective because it organizes people and motivates them to buy certain products, teaching them to be, above all, consumers. It is âthe propaganda of American society, and one of the most powerful forces of educationâ (Kilbourne). It is how we learn our attitudes, and our attitudes shape our actions. The foundation of the mass media, advertising tells us that everything can be bought, and that products can fulfill us-even meet our deepest human needs. In a capitalist society where dissatisfaction is key, advertising is very convincing. It convinces us to buy products to better ourselves so that we may fit the ideal advertisers have made for us.
The ideal woman is based on flawlessness: no lines, wrinkles, blemishes, and scars-no pores. She is human. This look can only be achieved cosmetically, and is the only standard of beauty in our culture (Kilbourne). âDeep in many girls hearts lies an impossible standard-long blonde hair, long, long legs, a slim, tall body, and perpetual youth. Call it Barbieâ (Winegar 1 E). Dr. Lesley J. Dlugokinski, a clinical psychologist from Oklahoma City, suggests that many of the messages linking a womans value to her beauty are deeply rooted in Western Culture, beginning with ancient myths and fairtales like âSleeping Beautyâ (qtd. in Kinka).
So much emphasis placed on appearance that a womans lovability and desirability rely on it. An advertisement for a weight loss clinic reads: â Id probably never be married now if I hadnt lost forty-nine pounds-which one woman said was the best advertisement for fat shed ever seenâ (Kilbourn). Such advertisements only reaffirm that being beautiful is a result of the products we buy, not who we are inside. Physical appearance seems to define a womans worth.
In most advertisements, the womans body is used as an object, and whatever her body is like, it will not do; it must change. Every part of the body must be altered. For many women in America, how they look often determines how they feel about themselves, impacting their self-esteem. âThe message regardingĂphysical beauty is so pervasive that even women with wonderful talents, attributes, skills and intellect dont feel those are enoughâ (Winegar 1-E). Women are judged solely on appearance and are put into competition with each others looks; if a woman does achieve the desire look, she loses love of other women.
âThe essential selling traits used in the portrayal of women are alluring, decorative, and traditionalâ (Courtney 9). The trend of using women for allurement or decoration is found mostly in advertisements for beverages and automobiles. The sexual implications are more than obvious in selling a product that has nothing to do with sex. These types of advertisements are found throughout mainly mens magazines, selling âmanlyâ products.
Advertisers subliminally integrate sexual ideas into the selling of products. They realize that many times that people do not read the copy, so they use photographs to exploit sexuality in males and females in the shape of the products or the way the models are positioned. An advertisement for Loves Baby Soft perfume reads: âBecause innocence is sexier than you thinkâ: (Kilbourne). In the advertisement, an adult woman is presented as a child. She is dressed as a little girl, but she is sitting with her legs apart, skirt slightly raised. She has a visible cleavage and is sucking in a looipop. The shape of the perfume bottle is clearly phallic, and the implicit meanings in the advertisement tell women not to be mature or grown up and to stay passive, powerless, and dependent (Kilnourne).
On the other hand, some advertisements, even try to cover the fact that they are bluntly using sexuality to sell their products. In some advertisements, women are naked, wearing only the product for sale. The use of their bodies to sell these products, which have nothing to do with being naked, is disgusting. Their sexuality is only being used to catch the eye of the consumer.
Feminine things are constantly devalued, which causes women to devalue themselves and men to devalue women. Women are being devalued each time an advertisement depicts a woman as an object. âTurning a human being into an object is the first step in justifying violence toward that personâ (Kilbourne). Men are portrayed as violent and brutal in advertisements, and their body language sends a message to tell all men to be in control, and always uses power, threat, and intimidation. A billboard for a Rolling Stones album cover reads, âIm black and blue from the Rolling Stones, and I Love Itâ (Kilbourne). Such advertisements give the implication that women love and deserve to be beaten. An even more appalling advertisement for mens boots headlines, âTreatem good and theyll treat you goodâ (Kilbourne). It shows a woman straddling a mans leg, pulling his boot off. The copy read, âSome men treat their boots better than their women; not all together admirable, but certainly understandableâ (Kilbourne). Battery of women is presented as a joke. People who are opposed to violent and sexist advertisement must organize to remove them, and the products they sell from our lives.
Four general stereotypes of women are; âa womans place is in the home; women do not make important decisions or do important things; women are dependent and need a mans